How to Make Cheap, Tasty, Chicken Soup for 2/3 people
The cheapest way to use chicken is to buy a whole one, dissect it into legs, thighs, wings, breasts and use in another dish. What you are left with is the carcass - the back and breast bones, which still has a lot of meat on it. Don't throw it away. This is not only good for making chicken stock, but for making Chicken Soup.
Ingredients
. 1 Chicken Carcass
. 3 litres water, approx
. 1 medium onion, chopped very finely
. 2 cloves garlic, chopped
. 2 medium potatoes, chopped in small cubes
. 1 stock cube - chicken or vegetable
. large handful coriander or parsley
. 1 handful red lentils
. 1tablespoon olive oil or vegetable oil
. (sprinkling of tumeric - optional)
Method
1. Place chicken carcass in a large pan three quarter filled with water, and bring to the boil. Cover and lower heat, and simmer for 1-2 hours until the meat is falling off the bones.
2. Remove chicken pieces and place on a plate or board to cool.
3. When half cooled, use a knife and fork, or fingers, to remove the meat carefully from the bones. Make sure you remove ALL bones, especially very small bones. Place the meat in a separate bowl.
4. Strain the chicken water into another large saucepan or bowl, using a very fine strainer, or muslin.
5. Wash the original saucepan ready to reuse.
6. Heat saucepan, with one table spoon olive oil
7. Add onions and potatoes, and cook till soft but not brown.
8. Add the strained chicken water.
9. Add garlic, stock cube, and half the coriander, and boil on medium heat and bring to boil.
10. Add the red lentils, and boil for about half hour, until the potatoes are very soft.
11. Remove from heat and using a potato masher, mash if required
12. Replace on heat, and add rest of herbs, (salt and pepper if liked, but it is not necessary). Add more water if needed, and boil for another few minutes.
Set in 1917 Trinidad, twelve year old Amina becomes very ill with typhoid fever and close to death. Miraculously, she begins to recover, but is horrified to discover that her parents have broken their promise to her, and a marriage is arranged. She hoped to remain in education to become a teacher. But she is prepared to fight, and together with her friend Sumati, they make a pact. But Sumati's falls in love, and takes a path which endangers both of them.
About Me
- Marilyn Rodwell
- The Wedding Drums - my novel set in an early 20C village in Trinidad is almost here. Two young girls, Amina and Sumati plot to escape their arranged marriages and plan to live life following their own dreams. But Sumati falls in love and runs away, putting Amina's plans in jeopardy. Neither of them bank on what is in store for them. Soon they face the adult world of scheming men, corruption, prostitution and violence, and life in the village will never be the same again.
Friday, 31 August 2012
Thursday, 30 August 2012
Update on my Self Editing - THE DON'T TOUCH METHOD
HANDS OFF! LET IT SIT...
I DECIDED TO TRY SOMETHING ELSE....THE DON'T TOUCH METHOD
It is not easy to keep reading and trying to overlook these errors as they meet the eye. It feels like sand blowing into my face and me still walking in a sand storm with my eyes open wide, as each spelling mistake or missing word hits me.
BUT!!! I have taken the advice of a clever author, Nell Dixon, who gave a talk at the Romantic Novelists's Conference this July. This was her advice.
LET IT SIT.
1. Don't rush. Leave it for as long as possible. Distance gives clarity.
2. Read through but don't touch.* Very Important!!
a. Make a note of bits you want to change.
b. Change the font when editing. It helps to make you see it differently.
c. Transfer to Kindle
3. Take out. Add in ...in the next read.
4. Polish - another read
5. Work backwards for final edit. Yes, read your work backwards to comb through for errors.
6. Pay attention to the Last Chapter. First chapters are usually polished to death, but not enough attention is paid to the last chapter. That sells it to the publisher.
Well, I am currently doing No. 2 - reading through The Jeweller's Daughter, making notes in a separate note book on each chapter on changes to be made. I'm using different colours - black or blue to indicate the highlights of the chapter, green for a really good bit, red for what needs changing.
It is working, because I am getting an overall view of the whole plot as the reader would read it. The temptation is there to make small edits, but I am fairly strict with myself.
It is working, because I am getting an overall view of the whole plot as the reader would read it. The temptation is there to make small edits, but I am fairly strict with myself.
I am surprised and pleased though, how well some chapters are reading already - pacey, emotional and full of tension.
However, I do have a biggie to fix! I believe that my Main Character, Latchmin is not as likeable and strong as her friend, Sumati, the wild one, who seems to be taking over with her subplot. Sumati is getting a lot of action! This needs sorting. Could be a big change, or increase Latchmin's involvement in the action.
Reading without editing, means that I am reading it faster, so inconsistencies in the plot are more noticeable.
I am really pleased I took this advice. Thanks Nell Dixon, I think it is working for me, so far.
Editing is a long, slow, and confusing process, and this makes the need for areas for structural changes much clearer.
Editing is a long, slow, and confusing process, and this makes the need for areas for structural changes much clearer.
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